Bistro Aprons

I made another batch of bistro aprons for my daughter the cook.  Her aprons take a beating, so a new batch was in order.

I can get each side of a double-sided apron from a yard of fabric.  I gave measurements and instructions for single-sided aprons in this earlier post. For the double-sided apron, make two sides, line up rights sides together, and stitch around the edge, leaving a small opening through which to turn it right side out. Then simply slip stitch the opening and attach the ties.

I tried to give each apron a dark side, and I also positioned darker fabrics toward the top, where my daughter wipes her hands.  Piecing different fabrics allowed me to use up some fabrics that were less than a yard.

I got to use up some fun black fabrics.

This apron has a Madonna panel on one side.  Perhaps she'll provide some protection from burns and cuts, or insure tasty outcomes.

August TAST/CQJP

I've made some progress on my August block, though it's so cloudy here it's hard to get a decent picture.  Across the top I stitched a vine and added beaded cast on stitch flowers.  

I used Pekinese stitch to edge a patch with an embroidered seagull.  I've got to go back and finish picking out the stitch and tear medium behind the seagull

The August block gets a boost from a large piece of black work embroidery Debra machine embroidered.  So far, so good.

Weaving a Rag Rug on the Rigid Heddle Loom

I warped my rug with a couple of weights of crochet cotton.  Size 3 crochet cotton (the Aunt Lydia's brand is commonly available) is a great warping material.  Since I only had about half of what I needed, I interspersed it with some lighter weight crochet cotton just to see how it would work.  In retrospect, the size 3 (which I think is also known at #10)  is the perfect weight.  Note to self: stock up.

The numbers: 170 warp threads in the 7.5 dpi heddle, 58 inch warp length.  In the future I'll need about 2 balls of the Aunt Lydia's Size 3. 

 

 For the weft I used 2.5 inch fabric strips.  Quilters may have a few of these around the house.  Join the strips (and avoid knots) by applying glue stick to 1-2 inches of the end of one strip and overlapping it with the next one.   Let it dry 20-30 minutes and then fold in half along the length and wind onto a shuttle.  I chose a palette of blues and yellows.  I'm not sure how much i used, because I have an endless supply of 2.5 inch strips.

In this rug I alternated two passes of the fabric with two passes of worsted weight ("kitchen") cotton.  I used less than a ball of Sugar and Cream for this rug.

The whole project is beaten with a comb.  The heddle isn't strong enough to pack the layers together.

When laying down the rows, twist the fabric at the edges.  I only remembered to do this at the end.  When beating with the comb, I found that I could only really pack in the rows after changing the shed (the position of the heddle).  I found myself working the immediate 4-6 rows, packing them in, while adding new rows.

In the photo above you can see that the new rows are more loosely packed than the previous rows.  They'll gradually get worked down after newer rows are added.

 

The finished rug is 20 x 25 inches.  I tied off the warp threads in groups of 4,  In the future I might add additional passes of the kitchen cotton and turn the hem to the back.  I washed the rug to make sure it will hold up to delicate machine washing, and it came out fine. 

July TAST and CQJP

In between a couple of out of town trips I finished my July CQJP block.

Pink Basque stitch is accented with hearts.  The cardinal's branch has some oyster stitch leaves.

I added some fern stitch and button flowers to my faux ceramic pot.  I wish that green had a higher contrast against the blue background.

I pulled this crochet motif from the goody box circulating among some of the Tuesday Stitchers and added a bouquet of silk ribbon flowers.

There's the up and down buttonhole stitch in red, accented with more buttons.  The button stash got heavy use this month.

Travelogue: Florence

This is the last of the pictures of my May trip.  Florence is a truly remarkable city: a love letter to the visual arts. Every place you turn you see something beautiful.

 

I saw this very touching painting of women taking Jesus down from the cross in a small church away from the city center.  

 We stayed at a hotel very close to the Pitti Palace, home to several museums.  We stayed there until our feet were screaming for mercy, taking in as much as we could.

From the Pitti, you access the Boboli Gardens, an extensive formal garden with fountains, a porcelain museum,  and a large collection of statuary.

 It was one of our favorite places.

We did go inside the Duomo, but to see all the artifacts that have been removed from the interior over the years, you must go across the street to the Museum of the Opera del Duomo, which has a wonderful collection of art.

This recumbent Madonna was of particular interest to me.  A number of artists portrayed her lying down after giving birth, something I had not seen before.

The Santa Maria Novella church near the train station has beautiful statuary and frescoes, is not nearly as crowded as the Duomo, and is not to be missed.  We saw so much in the days we were in Florence and I'm anxious to go back and see more.

Plus they have yarn!  I'll be doing a post on the great yarn store I visited, and the purchases I crammed into my suitcase brought back home.

Sunday Afternoon Walk in Fern Canyon

This is one of our favorite local places to get outdoors.

 
Alex reverts to a 12 year old when you get him outside.

 
Allie took lots of pictures, the place is very photogenic.

You hike through the canyon, then the trail takes you above it through the forest.

We ran across a few elk grazing in a meadow.

Big ones.

Rag Weaving with a Rigid Heddle Loom

No embroidery this week, I had a craving to start something I could actually finish, something that wouldn't turn into my life's work.  I warped my rigid heddle loom with kitchen cotton (worsted weight 100% cotton yarn) using the 7.5 epi heddle.  If I had a 5 epi I would have used that. 

I have plenty of strips to work with, including this is a ball I strung together with knots some time ago.  For the next rag project, I'll eliminate the knots by overlapping my strips with a bit of glue stick.  This and other tips on weaving with rags are outlined in Jane Patrick's project page "Recessionista Rag Mats," included in this pdf newsletter from the Schacht company.

Bunny thought she was helping.

This is what I got at the end of the afternoon: a runner for my kitchen table. The nitty gritty: finished size 14.5 x 38"  I used both 3/4 inch folded strips and irregularly cut strips under 1" and beat them with a wide toothed comb.  Warp: about 130 yards, 62 warp ends on 7.5 epi heddle.  Warp length: 74".
 

So the cats don't try to claim it as their own personal magic carpet, the violets are anchoring it down.

Palestrina Stitch and Project Half-Way Point

I'm starting my July CQJP block with two versions of the palestrina stitch, the short-armed version in blue, and the longer version in yellow.  I'm considering the crocheted motif on the block, which I got in the treasure box some of the Tuesday Stitchers have been passing around.  I also took the little pot button out of my stash as the basis for a vine or maybe a tree.

I felt brave cutting the embroidered rose from a vintage but stained doily.

The six blocks I've made so far are roughly positioned around the central St. Francis image.  Again, I may re-print the central image onto another fabric, even though I like the blue flowers, because the image resolution isn't as sharp as I want it to be.  In the next six blocks I have to integrate more left-facing birds so that they're not all looking in the same direction.  I like the way the colors repeat across the blocks, and I'm going to try to maintain this balance.  Six blocks down, six to go.

Spiderweb Quilt

I pulled out an old project to work on: a paper pieced spiderweb quilt.  I made one of these with purple stars for my daughter years ago, and I chose a cheerful yellow for this one.

The spiderweb quilt is one of my favorites.  I love the variety of fabrics one can use.  I have seen people cut the spiderwebs from pieced strips, which would make it go faster, but I'm doing mine the old school way, which creates more variety.  I have saved up lots of scraps over the years, and I like how they make a kind of  journal.  I still run across snippets of fabric I used to make clothes for my kids when they were little, so this is a memory quilt of projects going way back in time.

I organize my small scraps roughly by size, and then pull from the pile as I piece these blocks. I'm using a paper piecing pattern from an old issue of Quick Quilts, a special issue of Quilt magazine.

We'll see how many blocks I can make before I run out of enthusiasm and put it aside again.  But I really would like this quilt for my bed.  I may have to load up a good audio book--I already have Hardy's Return of the Native on my ipod--and get in the zone.  Otherwise, I'm fighting back the "are we there yet?" feeling and thinking of how this might make a nice table runner.